There are albums that, like fine pieces of literary work,
transcend time and linger in the soul long after the last note fades away. LL Cool J’s latest opus, “The Force,” produced
by the ever-masterful Q-Tip, is such an album—a work of such artistic
precision and authenticity that it glimmers in the often brash and fleeting
world of contemporary hip-hop. It is, without question, the finest boom bap
album of September 2024, but to merely state this would be to overlook
the intricate craftsmanship, the deep emotional resonance, and the quiet
confidence that permeates its tracks.
When we speak of LL Cool J, we are not simply
discussing a rapper; we are acknowledging an architect of an era, a man whose
voice shaped the contours of what we now recognize as hip-hop. His entrance
onto the scene decades ago was akin to the arrival of a charismatic character
in a novel—bold, unrelenting, and instantly memorable. Now, in 2024, LL has
returned with “The Force,” a title that suggests power, certainly, but
also a sense of inevitability, as if this project were destined to appear at
this precise moment in time.
Q-Tip,
enigmatic and cerebral, lends his production talents to the album with the deft
touch of a painter who understands the subtleties of his medium. His beats are
not mere backdrops but rather fully realized environments, immersive
soundscapes that transport the listener into the heart of New York City’s
streets, into the psyche of LL Cool J, and into the very essence of boom bap.
The production here is reminiscent of Rothko’s color fields, broad
strokes that evoke emotion without overt formality, yet within them, you find
clarity. Q-Tip, as always, is a
master of mood, creating an atmosphere that is at once timeless and deeply
relevant to the modern hip-hop landscape.
But why is “The Force” the best boom bap album
of September 2024? To begin with, LL’s lyricism here is refined, elegant
even, in its simplicity. Each word, each bar, is deliberate, chosen with the
precision of a short story writer who knows how to make every syllable count.
In tracks such as “The FORCE” and “Saturday Night Special,” LL
narrates his own journey with a confidence that comes not from arrogance but
from experience, from having lived and thrived through multiple eras of rap’s
evolution. There is something almost Gatsby-esque about his
demeanor—wealthy in knowledge, in self-assurance, in the kind of artistic grace
that one earns through a lifetime of creation.
There is also a certain tension that runs through the album,
a palpable sense that both LL and Q-Tip are aware of the precariousness
of the art form they are upholding. Boom
Bap, after all, is not merely a style of hip-hop but an ethos, a philosophy
that values authenticity over artifice, substance over style. In an age where
music is often commodified, where artists chase viral moments and fleeting
fame, “The Force” stands defiantly as a reminder of what hip-hop *can*
be when crafted by those who understand its roots.
Take, for instance, the track “Runnit Back” —here, LL
delivers not just bars, but a manifesto. He speaks not just for himself, but
for a generation of emcees who built the genre from the ground up, brick by
lyrical brick. There is a weight to his words, a gravitas that suggests a man
who knows his place in history but is not content to rest on past laurels. And
then there is Q-Tip’s production, understated but potent, a symphony of
minimalist drum patterns and jazz-inflected loops that hark back to A Tribe
Called Quest’s heyday while still feeling remarkably fresh.
Perhaps what is most remarkable about “The Force” is
its ability to be both reflective and forward-looking. There is nostalgia,
yes—an almost wistful longing for the days when hip-hop was raw, when
beats cracked like vinyl under a DJ’s needle. But there is also an undeniable
energy, a sense that LL and Q-Tip are not just paying homage to a bygone
era but actively pushing the sound forward. This is not a museum piece; it is a
living, breathing work of art that demands to be heard in the present tense.
Ultimately, “The Force” is not just the best boom bap
album of September 2024; it is an album that stands as a testament to the
enduring power of hip-hop as an art form. In the hands of LL Cool J and Q-Tip,
it is rendered with the care and respect it deserves, yet with a boldness and
creativity that ensures its place in the modern canon. It is a reminder that
great art—whether in literature or music—does not age. It simply finds new ways
to resonate.
In an era where rap is dominated by trap beats and genre-blending experimentation, it’s refreshing to find an artist who remains true to the roots of hip-hop. Smoke DZA’s THC3 (Kushedgod Btch) is a testament to the enduring power of boom bap, delivering an album that is both nostalgic and innovative. As the best boom bap album of August 2024, this project captures the essence of a classic sound while pushing it forward with modern sensibilities.
Boom bap is more than just a style of production; it’s a homage to the golden era of hip-hop, characterized by hard-hitting drums, crisp snares, and intricate sampling. Smoke DZA, a veteran in the game, understands this better than most. With THC3 (Kushedgod Btch), he has crafted an album that stays true to the essence of boom bap while showcasing his growth as an artist.
The album’s production is a masterclass in how to modernize a classic sound without losing its soul. Each track is layered with rich, dusty samples, deep baselines, and that signature boom bap rhythm that makes your head nod involuntarily. The beats are gritty yet polished, offering a perfect canvas for DZA’s lyrical prowess.
Standout Tracks
While the entire album is a cohesive journey through Smoke DZA’s world, a few tracks stand out as definitive boom bap anthems.
"I Do A Lot" is a track that exemplifies DZA’s ability to blend braggadocio with introspection. Over a beat that feels like it was lifted straight out of the ‘90s, DZA spits bars about his relentless grind and the lifestyle that comes with it. The production is quintessential boom bap, with a chopped-up sample and crisp drums driving the track forward. DZA’s flow is effortless, riding the beat with a confidence that only comes from years of experience.
"Lick Shots" takes a darker, more aggressive approach. The beat is raw and unfiltered, with hard-hitting drums and eerie samples creating a menacing backdrop for DZA’s gritty lyrics. This track showcases his ability to channel the raw energy of boom bap while delivering sharp, punchy verses that stick with you long after the song ends. It’s a track that feels both timeless and urgent, capturing the spirit of classic hip-hop while addressing contemporary themes.
"Harlem Get The Money" is a love letter to DZA’s roots, celebrating the culture and hustle of his hometown. The beat is soulful and uplifting, with a sample that feels like a nod to the greats of the genre. DZA’s verses are filled with pride and determination, making this track a powerful anthem for anyone who’s ever had to grind for their success. The combination of introspective lyrics and a smooth, boom bap beat makes "Harlem Get The Money" a standout on an already exceptional album.
THC3 (Kushedgod Btch) by Smoke DZA is more than just the best boom bap album of August 2024; it’s a masterclass in how to modernize a classic sound while staying true to its roots. With standout tracks like “I Do A Lot,” “Lick Shots,” and “Harlem Get The Money,” this album is a must-listen for anyone who appreciates the art of hip-hop. Smoke DZA has proven once again why he’s one of the most respected names in the game, delivering an album that is both a celebration of the past and a statement for the future.
